Box 32
Container
Contains 5 Results:
Modern Tapestries Designed by Modern Painters Executed Under the Direction of Madame Paul Cuttoli (San Francisco Museum of Art; Eisendrath, William N.; Museum of Modern Art; Sweeney, Jim; Golden Gate International Expo; Liebes, Dorothy; Cuttoli, Marie), Nov. 4-29, 1941
File — Box: 32, Folder: 470
Identifier: 1
Scope and Contents note
From the Series:
Materials documenting the planning and mounting of exhibitions at the Arts Club. The series includes general correspondence, exhibition announcements, exhibition catalogs from the Arts Club and elsewhere, negotiations for shipping and return of loaned pieces, correspondence from artists and artists’ representatives, correspondence with participating museums and art galleries, loan arrangements, price lists of individual works, insurance arrangements, publicity (clippings, ad proofs),...
Dates:
Nov. 4-29, 1941
Private Collection of Mr. And Mrs. Harold M. Florsheim (Eisendrath, William N.), Nov. 4-29, 1941
File — Box: 32, Folder: 471
Identifier: 1
Scope and Contents note
From the Series:
Materials documenting the planning and mounting of exhibitions at the Arts Club. The series includes general correspondence, exhibition announcements, exhibition catalogs from the Arts Club and elsewhere, negotiations for shipping and return of loaned pieces, correspondence from artists and artists’ representatives, correspondence with participating museums and art galleries, loan arrangements, price lists of individual works, insurance arrangements, publicity (clippings, ad proofs),...
Dates:
Nov. 4-29, 1941
Raoul Dufy (Perls Galleries; Pulitzer, Joseph Jr.; La Roche, Clara; Los Angeles Museum of History, Science, and Art; Foreman, Mary; Allerton, Robert; Phillips Memorial Gallery; Metcalf, Pauline; Toledo Museum of Art; McMillen Inc.; Eyre, Dorothy; Art News; Lilienfeld Galleries; Dalzell Hatfield Fine Paintings; Dorothy W. Liebes Textiles; Platt, Joseph B.; Pierre Matisse Gallery; Robinson, Edward G.; City Art Museum of St. Louis; Sawyer, Paul B.), Dec. 4-27, 1941
File — Box: 32, Folder: 472-475
Identifier: 1
Scope and Contents note
From the Series:
Materials documenting the planning and mounting of exhibitions at the Arts Club. The series includes general correspondence, exhibition announcements, exhibition catalogs from the Arts Club and elsewhere, negotiations for shipping and return of loaned pieces, correspondence from artists and artists’ representatives, correspondence with participating museums and art galleries, loan arrangements, price lists of individual works, insurance arrangements, publicity (clippings, ad proofs),...
Dates:
Dec. 4-27, 1941
Max Beckmann (Bucholz Gallery; Detroit Institute of Arts; Germanic Museum of Harvard University; Museum of Modern Art; Pulitzer, Joseph Jr.), Jan. 2-27, 1942
File — Box: 32, Folder: 476
Identifier: 1
Scope and Contents note
From the Series:
Materials documenting the planning and mounting of exhibitions at the Arts Club. The series includes general correspondence, exhibition announcements, exhibition catalogs from the Arts Club and elsewhere, negotiations for shipping and return of loaned pieces, correspondence from artists and artists’ representatives, correspondence with participating museums and art galleries, loan arrangements, price lists of individual works, insurance arrangements, publicity (clippings, ad proofs),...
Dates:
Jan. 2-27, 1942
Nine American Artists - Blume, Calder, Canadé, Corbino, French, Kuniyoshi, Poor, Priebe, Taubes (Priebe, Karl; Whitney Museum of American Art; Downtown Gallery; Portland Art Museum; Associated American Artists; Taubes, Frederic; Philadelphia Museum of Art; Andre Seligman Inc.; E. Weyhe; Museum of Fine Arts Boston; Ingersoll, Sturgis; Andre Seligmann Inc.; Corbino, Jon; French, Jared; Calder, Alexander) [see also Calder Correspondence, Vault 49 4], Feb. 3-28, 1942
File — Box: 32, Folder: 477-480
Identifier: 1
Scope and Contents note
From the Series:
Materials documenting the planning and mounting of exhibitions at the Arts Club. The series includes general correspondence, exhibition announcements, exhibition catalogs from the Arts Club and elsewhere, negotiations for shipping and return of loaned pieces, correspondence from artists and artists’ representatives, correspondence with participating museums and art galleries, loan arrangements, price lists of individual works, insurance arrangements, publicity (clippings, ad proofs),...
Dates:
Feb. 3-28, 1942