This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.

This series runs in parallel to the first two and contains photo-documentation of the original stones and the rubbings. At the front a binder and catalog that describe the project; thereafter photographic prints with identification numbers keyed to the serial numbers in series 2; at the end slides keyed to Boge’s chronological identification numbers.