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Box 52

 Container

Contains 7 Results:

Ludlow types: Script type design, 1936 (Hauser Script)

 File — Box: 52, Folder: 958
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...
Dates: 1936 (Hauser Script)

Ludlow types: Ultra Modern

 File — Box: 52, Folder: 962
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...

Ludlow types: Ultra Modern designs

 File — Box: 52, Folder: 963
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...

Ludlow types: Ultra modern royalties to D.C. McM.

 File — Box: 52, Folder: 964-968
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...

Ludlow types: Umbra

 File — Box: 52, Folder: 969-970
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...

Ludlow types: ornamental type proofs

 File — Box: 52, Folder: 971
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...

Ludlow types: miscellaneous type specimens

 File — Box: 52, Folder: 972-974
Scope and Contents note From the Series: McMurtrie worked for the Ludlow Co. from 1927 onward, on full-time and part-time contracts of various sorts. His title was Director of Typography. He supervised or consulted on most of the company’s advertising and type design into the mid-1930’s and selectively thereafter. Many of these files came to the Newberry in the “Subject” sequence (Series 2) and seem to derive not from files kept in his Ludlow office but from parallel files that he maintained at his private offices. There is some...