Box 2
Contains 25 Results:
Attendance cards and lists - ARCA (Morelia, Michoacán, Mexico), 1964
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Attendance cards and lists - YMCA/YWCA, 1974 - 1977
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Attendance cards and lists - YMCA/YWCA, 1978
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Attendance cards and lists - YMCA/YWCA, 1980
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Attendance cards and lists - YMCA/YWCA, 1981
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Attendance cards and lists - YMCA/YWCA, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Appointment books, 1946
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Appointment books, 1973
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Awards and certificates – Award of Merit, Vaughan General Hospital, United States Army (Hines, Illinois), 1940s
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Awards and certificates – Certificate of Appreciation, Gardiner General Hospital, 1945
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Awards and certificates – Certificate of Merit, Vaughan General Hospital, United States Army (Hines, Illinois), 1945
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Biographical file (includes birth certificate, ids, and vita), 1940s - 1970s
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Class notes and outlines - ARCA (Morelia Michoacán, Mexico), 1964
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Class notes and outlines - YMCA/YWCA, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Class outlines and plans - Other instructors - YMCA/YWCA, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Class suggestions - YMCA/YWCA, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - American Indian Relations, 1946-1976
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Bahamas, 1976
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Chicago, 1951-1979, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - China, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Costumes, Hair, and Makeup, 1940-1965, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Edgewater Beach Hotel, 1953-1974, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Malaysia, 1976
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Mexican Dance, 1963 - 1965
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Mexico, 1963-1966, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.