Box 3
Contains 48 Results:
Clippings - Research - South Africa, 1965
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Spain, 1963-1973
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Thailand, 1976
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Uganda, 1972-1975
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Research - Women's Issues, 1962, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Clippings - Miscellaneous, 1952-1974, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Contract (between Dorothy Hild and Africana Dancers), 1971
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1920s
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1924
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1925
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1926
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1929
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1931
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1934
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1936
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1942
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1944
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1945
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1947
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1949
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1950
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1951
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1952
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1953
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1954
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.