Box 4
Contains 36 Results:
Correspondence, 1979
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1980
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1981
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1982
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1983
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, 1984
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1962
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1968
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1969
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1970
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1971
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1972
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1973
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1974
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1975
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1976
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1977
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1978
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1979
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1980
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1981
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1983
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, 1984
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Correspondence - YMCA/YWCA, undated
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.