Box 9
Contains 5 Results:
Productions - "Little Green Onion (and how it grew): the story of Chicago", 1971 - 1979
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Productions - "Motor Modes of 1952", 1952
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Productions - "No, No, Nanette", 1974
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Productions - "The Servel Man and the Psychiatrist", 1951
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.
Productions - "The Tenth Muse by Coty", 1946
Contains materials related to Dorothy Hild’s directorial roles and responsibilities with Balaban & Katz Theater Corporation, Barnes – Carruthers, at the Edgewater Beach Hotel, for the Ballet Folklorico de Morelia in Mexico, for the Africana Dancers, and as an instructor at various YMCA and YWCA locations in Chicago. Her personal files also appear in this series because of the close relationship between her career and personal life.