Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series: F. Peter Weil (a non-Indian interested in Indian life) was born in Germany in 1913 and came to the United States in 1938. Having started in photography as a hobby, he studied under Aaron Siskind and Art Sinsabaugh at the Institute of Design in Chicago on a part time basis (1952-1954). After working for photographers in Chicago and free-lancing for the Hyde Park Herald, Weil came to the Newberry Library in 1969 as the supervisor of the Photoduplication Department. While at the Newberry, he...

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.

Scope and Contents note From the Series:

Leroy Wesaw (Potawatomi) was born in the Indian settlement in Lower Michigan in 1925. He first became interested in photography in 1939, initially using an old Brownie camera. Wesaw came to Chicago around 1950, and worked for the federal government in the Assisted Housing Branch. He was active in several areas of Indian affairs and his work with the canoe club is shown in the exhibit.