Showing Collections: 51 - 75 of 281
The School of the Chicago City Ballet was founded in 1980 by Maria Tallchief and affiliated with the Chicago City Ballet, outlasting the company by six years until its closing in 1993. Includes administrative records, publicity materials, and photographs.
Records of the Chicago Dance Coalition, the Chicago Music Alliance, and the merged Chicago Dance and Music Alliance. Includes administrative, financial, and photographic materials as well as audiovisual and digital data items.
58 prints of Chicago lakefront and river scenes, found in a manila envelope marked: “Prints from glass negatives produced by the Corps of Engineers ca. 1890; originals now with the Chicago Maritime Society.”
Publicity and live photographs of Midwest area dance, drama, comedy, and music performers and performances from the files of the Chicago Reader weekly newspaper.
A troupe that showcased the works of Chicago choreographers, the Chicago Repertory Dance Ensemble was founded in 1981 by Tara Mitton and headquartered at the Ruth Page Center for the Arts building until its dissolution in 1992. Records include administrative files, photographs, publicity, and audiovisual materials.
Sixteen professional photographs of the area of Chicago known as the Stockyards Industrial Park which was developed after the closing of the Union Stock Yards in 1971. The Industrial Park is home to various small factories, none of which are involved in meatpacking. Few of the original structures remain, excepting the great limestone arch erected in 1879 to mark the stockyard entrance.
Material relating to Chicago dancer Christina Olson, who at the age of twelve performed as a Turkish dancer in the Turkish Theater at the World’s Columbian Exposition, 1893. Includes music school diploma, hand-written documents concerning her employment and performances, her marriage certificate and two photographs. Also, three items relating to the Exposition – a general ticket of admission, her passbook and a program for the Turkish Theater.
Mounted albumen prints and stereographs primarily of western Indians and scenes, ca. 1865-1881, taken by Alexander Gardner, John K. Hillers, William H. Jackson, William Soule and a few other photographers, plus three large lithographic prints of Mexican War military scenes. Also, a box containing a stereoscopic viewer.
Articles and reviews, correspondence, broadcast scripts, photographs, and clippings of the Chicago Tribune performing arts critic from 1942 to 1965. Cassidy wrote her influential "On the Aisle" column for the Tribune, then wrote freelance criticism and hosted a weekly program of arts criticism for WFMT, helping to shape the course of music, theater, and dance in Chicago.
Correspondence, writings, photographs and memorabilia of Chicago lawyer Clay Judson.
Writings and correspondence, souvenirs and miscellany of Cloyd Head, Chicago playwright, theatrical director, business manager of the Goodman Theatre and husband of the poet Eunice Tietjens.
One photo is of a ms. descriptive list of some of the scenes presented; another is dated May 14, 1896; the final photo is of a ms. inscription: Finis. Fort Custer, Montana. W.C.S.E.E.P.S.
Volume of individually mounted photographs compiled by C.R. Clark for Byron L. Smith, approximately 1911, showing scenes of Chicago before and after the 1871 fire. Includes a letter relating to Smith’s acquisition of the photograph book, and the original front and back covers.
Literary and scholarly manuscripts, diaries, correspondence, and other materials of D'Arcy McNickle, American Indian author, government employee, community organizer, anthropologist, and historian. Records cover McNickle's work with the Bureau of Indian Affairs, American Indian Development, Inc., the University of Saskatchewan, and the Center for the History of the American Indian at the Newberry Library.
Materials related to Dean Badolato, a choreographer and director born and raised in the Chicagoland area. Includes clippings, letters, photographs, programs, VHS tapes, and artifacts.
Early 20th Century ethnographic photographs created and collected by Dean Conant Worcester, a professor and zoologist with interests on Philippine History. The over 8,000 photographs represent thirty-six linguistic groups of the people of the Philippines. In this collection there are also photographs of negatives owned by Dr. A.B. Meyer, friend of Jose Rizal
Material regarding Diggins’s career as a tap dancer and teacher, including class notes while studying with Paul Draper, plus clippings, photographs, programs, publicity items and scrapbooks relating to his ten years as a part of the Mattison Trio. Also, his choreographic notes for tap routines composed for classical music and audio and video tapes of some of those dances.
Studio portraits of Hunkpapa chiefs Crow King, Gall, Sitting Bull, and Rain in the Face, as well as Standing Holy (Sitting Bull's daughter), Shooting Star (identified as a Sioux woman), and D.F. Barry with Rain in the Face. The images were taken at Fort Buford in 1881, at Bismarck in 1885, and possibly elsewhere in the Dakota Territory, but most of them were printed from the negatives and sold from Barry's Superior, Wisconsin, studio in the 1890s or later.
Material collected by dancer Diana Huebert (Mrs. Abel Faidy), the bulk consisting of programs and photographs of herself and other dancers. Also, some articles she wrote or saved, including an autobiographical sketch, choreographic notes, and miscellaneous material relating to her husband, architect and designer Abel Faidy.
Miscellaneous material relating to the Dill Pickle Club of Chicago, Illinois (1916-ca.1933) and its leading founder, John (Jack) Jones. The bulk of the collection, most of which was removed from two scrapbooks, consists of handbills, fliers, programs and posters announcing and advertising numerous lectures, readings, parties, plays and other regular activities. Also includes art work, business and membership items, clippings, a few letters, photographs, poetry and Jack Jones memorabilia.