Found in 67 Collections and/or Records:
MoMing was a center in Chicago's Lakeview neighborhood for dance training and avant-garde performance as well as an art gallery. It was formed in 1974 by Jackie Radis, Jim Self, Susan Kimmelman, Eric Trules, Kasia Mintch, Tem Horowitz, and Sally Banes. Along with local artists, it hosted many guest dancers and artists of renown, including Trisha Brown, Bill T. Jones, Mark Morris, and Meredith Monk. It officially dissolved in 1991.
Three oil on canvas paintings and twelve watercolor drawings on paper of various sizes housed in one green portfolio and two red clamshell boxes. Paintings and drawings are attributed to Monroe Quamahongiva Frederick, a Hopi artist. Tribes depicted include the Navajo, Crow, and Hopi. Subjects of paintings include American Indian portraits, pueblos, the southwest, dress, and copies of work by E. Irving Crouse and Elbridge Ayer Burbank.
Newspaper cartoons of Chicagoan Morrie Brickman
Ephemera collected by Never The Same, a project begun by Northwestern University Professor Rebecca Zorach and Daniel Tucker, founder of AREAChicago. Never The Same collects items documenting socially and politically engaged art in Chicago since the 1960s. Collection consists of brochures, fliers, postcards, pamphlets, posters, artwork, books, journals, CDs, DVDs, and 3-dimensional artifacts emanating from a wide variety of sources, both individual and organizational.
Six pencil sketches of Ballet Russe de Monte Carlo dancers drawn by artist Paula Gerard Renison during rehearsals and performances at the Auditorium Theatre in Chicago, 1938-1939.
Comic books, graphic novels, and pop culture ephemera with Native American themes, characters, and imagery produced in North America from the years 1937 to 2015.
Thirty-five drawings in ink and wash on paper and one page of text from a formerly bound sketchbook of Ferdinand Friedrich Pettrich. The drawings feature portrait depictions of American Indians, including members of the Sac and Fox, Creek, Sioux, and Winnebago tribes.
Unsigned architectural drawings and diagrams featured in Edward Herbert Thompson's article "Ruins of Xkichmook, Yucatan," which was published in 1893 by the Field Columbian Museum (Field Columbian Museum Publication 28, Anthropological Series Vol. II, No. 3, July 1898). Thompson explored and excavated the Maya ruins of Xkichmook at various times beginning in 1886.
Diaries, notes, original manuscripts of writings, design art, correspondence, financial records, printed ephemera, and type specimens from the collection of Robert Hunter Middleton, type designer and fine printer.
Calligrapher and artist who studied at the School of the Art Institute, and who worked an art instructor in Iowa before becoming Director of the Sioux City Art Museum. Collection includes notes, course papers, photos, correspondence, and examples of Langley's work, including book jackets, menus, brochures, and certificates.
Fifteen satirical prints of everyday life in the early-nineteenth century by publisher William Davison of Alnwick, England; also includes a biographical summary of Davison.
Professional and personal materials and photographs of Chicago architect and city planner William Edward Parsons.